First of all, I’d like to thank Deirde at A Storybook World for this cool blog award:
Wow – can’t believe how this summer is flying by – I mean, really fast, though maybe not this fast:
This is the US military’s new unmanned Falcon HTV-2 (Hyperonic Technology Vehicle 2), touted to be the fastest plane ever at a top speed of Mach 20, or 13,000 miles per hour.
13,000 MILES PER HOUR!
That’s London to Sydney in less than an hour, according to this article in the UK’s Guardian.
That’s amazing. But what’s even more amazing is that the military lost the plane 36 minutes into its test flight.
Lost. The. Plane.
Millions of dollars in time, research, and materials, not to mention countless man-hours, literally vanished into thin air.
The Falcon HTV doesn’t have a great track record. There were only two built: Falcon HTV-1 and Falcon HTV-2.
Last year, the Falcon HTV-1 was 9 minutes into its test flight when, according the Guardian article, the computers detected a problem and sent it into the ocean for safety reasons.
One vanished into thin air, the other at the bottom of the deep blue sea.
So much for the human attempt to break its own record.
To see how nature does it, watch this video of a REAL falcon diving, in which her top speed is recorded at 242 mph.
Will the Real Falcon Please Stand Up?!
Now that’s more like it.
So, back to how fast the summer is flying by and what I’m working on.
I’ve got two projects right now – writing a novella set in the Watcher world, and publishing Watcher itself.
One of the things I’ve learned about self-publishing is that it means wearing many hats. A lot more than I realized. In addition to writer, editor, publisher, distributor, and publicist, I’m learning to be a book designer.
If you’re new to the industry like I am, there are all sorts of things to consider when you want to get your book out for public consumption. Not only do your story and your words have to BE good, they have to LOOK good. Here’s an example of some of the challenges I’ve recently faced:
~ learning all of the details that go into designing a book…all the little details I’ve always taken for granted, such as what you want in the header and/or footer, where to place the page number, what to include on the copyright page, what font to use, acknowledgments, dedication, author bio…
~ deciding on a cool font to use for my title and chapter headings. OMG – there are thousands and thousands to choose from. But it’s critical – an attractive title font goes right along with the cover, and helps make the inside part of the book look professional.
~ realizing that all the best designed books use the title font for the first letter of each chapter. I only had to replace 65 of them by hand.
~ pushing the chapter headings down the page so the first page of the chapter starts about 1/3 to 1/2 way down, and of course, at the same level as all the other chapters. Styles makes this easy if you’ve used them correctly. I discovered I hadn’t. Doesn’t sound too bad, but I have a prologue, an epilogue, and 63 chapters…
~ adding extra pages at the end of certain chapters so that all of the new chapters start on the odd (right-hand) page – and the heading placement is the same as all the others. This is where I discovered that section breaks can be a real pain in the ass.
~ fighting with styles and section breaks so that the header doesn’t print on the new chapter pages (the ones with the chapter heading), but maintains the sequential numbering and the proper even- and odd-page header set-up on all the rest.
~ discovering when I thought I was all done with the inside formatting that the first paragraph of a new chapter or a new section is NOT indented. Yeah, never realized that one. Not only do I have the prologue, and epilogue, and 63 chapters, I have several section breaks PER CHAPTER. But not all is lost. I think I can fix this with <cringe> modifying the styles so that I don’t have to remove the indents by hand…without blowing up my whole document. I hope.
Once the inside is finished (nearly there – I can almost taste it), then it’s time for the cover.
Which I am NOT doing the artwork for.
No way. No how. Don’t got that creative bent. Even my stick figures are lame.
But…I know peeps. And I got a peep working on my covers (notice I said covers with an ’s’ - Watcher is only the first of a trilogy).
In the meantime, I’m putting together a plain cover for a test run. I’m planning to print up a half-dozen proofs as review copies for some special readers I’ve been holding in reserve.
But what that means is that I still have to put together a temporary cover layout, which includes front, back, and spine.
When that’s done, I’ll convert it to PDF, hopefully maintaining all of my painfully-arranged formatting, and hand it off to my indie publisher, Dark Dreams Publishing (more on that later).
So…that’s what I’ve been up to during this rapidly-passing summer. I just wish it would slow down to falcon speed and not try to be a Falcon HTV.
But it may a bit late for that – too soon I know I’ll look back and say, “Where did my summer go?”
Hopefully I’ll have more to show for my efforts than the memory of a vanished blip on a radar.
Yeah, when I look back on the last month and a half, that’s what it was.
4 out-of-town workshops in 6 weeks.
1 work-related, 3 writerly.
Covered six states: Nevada, Arizona, Utah, Oregon, and Washington, as well as the Central Coast of California (I live in the middle of the state, several hours away).
Drove 3,500 miles in that time and logged over 65 hours behind the wheel. Loved every minute of it.
As for the writerly workshops themselves? Absolutely awesome.
The first one, June 6-11 in St. George, Utah, was the Professional Writers Workshop with sci-fi/fantasy writer David Farland. This workshop emphasized craft and storytelling and was phenomenal.
The second two were in Lincoln City, Oregon and given by Dean Wesley Smith (who’s also written a ton of sci-fi/fantasy). July 9-12 covered Pitches and Blurbs, and July 14-17 was on Self-Publishing. We had a 1-day break between them, so I drove to Portland and picked up my hubby from the airport, then we did a little bit of touristy stuff.
Was it worth it? The money? The time? The wear-and-tear on my car and on my ass?
Those three workshops have given my budding writing career a shot of adrenaline that will propel me light-years ahead of where I was two months ago.
I’ll tell you all about them in my next several posts.
Things have been a little quieter this week in the publishing world. The biggest news revolves around Amazon’s continued expansion into publishing, along with the release of not one, but two new e-Readers.
More evidence of the ongoing changes: there is a new digital distributor on the block, and folks, I think this is going to be BIG. The name of the company is Enthrill Entertainment Inc. and they’ve come up with a hell of a new distribution model for e-books.
I watched the Enthrill e-book Distribution video on this yesterday and immediately emailed it to my marketing team. Snoeren mentions it in his article as well – I encourage my readers to take the time to check this out, because I believe it will be an integral component in the future of publishing.
The Bay Area Independent Publishers Association (BAIPA) recently featured Mark Coker, founder of Smashwords. An article covering the event, written by Joel Friedlander, focuses on indie and e-publishing. It’s appropriately subtitled Indie Revolution in Full Swing.
Considering the tumultuous times the publishing industry is in right now, writers need to be very careful about their next moves.
Personally, I’ve reached a point where I’d rather fall on my face self-publishing than risk signing a contract that will lock me into an antiquated royalty system and a brick-and-mortar distribution model that may completely implode before my book can even reach print.
On that note, I’m starting a new series that will be featured as part of the e-Watch. I’m calling it Writers Beware. Here’s a few articles to start it out:
Today is the inaugural edition of Wednesday’s e-Watch and it’s packed with info for anyone interested in the status of indie and e-publishing.
In fact, you might feel a little overwhelmed with everything listed here. I do, because, with the exception of the final item at the bottom of this post, everything below happened in the space of ONE WEEK.
So far this week:
Joe Konrath’s post yesterday was another eye-opener in a long string of eye-openers. The first part included a guest post by indie author Scott Sigler. Scott shared his story of how he became a top-selling indie author and the marketing methods he used to build a devoted fan base.
Joe wrapped up Scott’s post with some astonishing sales facts: currently, the Number 1 e-book in Amazon’s horror category is Scott Sigler’s newly-released Blood is Red. Positions 2 and 3 are Run by Blake Crouch and Trapped by Jack Kilborn, both indie authors. In fact, Joe said that the top eight horror bestsellers are indie – and are outselling King, Koontz, and Harris.
Now that’s something.
Another well-known indie author made news of her own. Most of you have heard by now about indie author Amanda Hocking’s phenomenal success with her self-published books (900,000 books sold in ten months). She made the headlines again when she inked a four-book deal for a new series with St. Martins Press for $2 million dollars.
Well, last week she did it yet again. Amanda made a three-book deal with St. Martins Press for her Trylle Trilogy, a series she already published herself.
Big publisher buys previously self-published series. Thought they didn’t do that.
Looks like the rules of the game are a’changing.
Last week’s news:
Wednesday was a big day for announcements in the publishing world.
From Smashwords.com: Smashwords books are coming to an app store near you.Today we announced an agreement withScrollMotionthat will transform over 33,000Smashwords Premium Catalogebooks into individual mobile apps for distribution to the largest app marketplaces for smart phones, tablets and other mobile devices.
The relationship will gain Smashwords authors and publishers free entry into the app marketplaces for Apple, Android, Windows Phone 7 and WebOS.
Is Amazon moving in the direction of becoming a publishing house?
The question becomes more interesting. Read on.
Friday’s news contained an announcement about Bookish.com, a new book recommendation service backed by Hachette, Penguin (USA), and Simon & Schuster.
As in, Three out of the Big Six publishing houses have formed an alliance.
This alliance includes partnering with AOL Huffington Post Media Group. According to PR Newswire, Bookish will feature exclusive content, sell physical and digital books, and provide social networking.
Sounds like Amazon meets Facebook, right?
Is this an attempt to pool resources to better position themselves against the other Three? Against Amazon?
You can read more about this here and here, and draw your own conclusions.
I was introduced to science fiction and fantasy by my dad. He signed me up for the Science Fiction Book Club when I was about twelve, which pretty much changed my life, as I’m sure it did for a lot of other readers and writers of the genre. I haven’t thought or heard about book clubs in years (other than Oprah’s), so when I saw an article on subscription e-books from The Shatzkin Files, I thought I’d pass it along.
Phew! It’s hard to believe that (except for the last item), all of the above events happened in ONE WEEK!
And I only included the major stuff.
If I missed anything, or you’d like to add to the list, let me know. Include it in your comments and I’ll cover it in a subsequent post.
Remember, even though writing is a solitary art, getting published takes a team. Be part of the team. Help us stay current on the latest events so that we as writers can not only survive these topsy-turvy times, but actually thrive and maybe even come out on top.
As those of you watching the digital book revolution know, the world of e-books is changing faster than any of us can comprehend.
I’ve been following the developments for several months now, and want to share the groundbreaking news that’s occurring daily within the publishing industry.
To help keep my friends up to date with all of the changes, I’m introducing a new feature to my blog. I’m calling it Wednesday’s e-Watch(and no, this has nothing to do with my soon-to-be-published novel, Watcher ).
In the e-Watch, I’ll recap the latest news in e-publishing, including self-publishing, e-book technologies, and the digital marketplace.
One of the sources I use is Publisher’s Marketplace. I subscribe to the daily Publisher’s Lunch newsletter and pay to have full access to the Publisher’s Marketplace website. That access gives me links to the headlines mentioned in the Lunch newsletter, and I’m constantly amazed at the information I find there. The speed with which the publishing industry is embracing digital is incredible–and lately, there have been major announcements nearly every day. Being able to keep up with at least some of the developments is well worth my subscription fee.
Another source of good information, as you all well know, is blogs.
But I’m also reading industry blogs like one I just found through Publisher’s Marketplace called FUTUReBOOK. This European blog on publishing has some eye-opening posts today that give a great snapshot of where the industry is racing at lightning speed.
My blog will be getting a facelift within the next couple weeks, and I’ll be refreshing my blogroll to make it easier for you to check them out.
I hope you all enjoy e-Watch and that it helps you to weather the publishing whirlwind that is upon us. Those writers who pay attention to what’s happening and do their own research will have the best chance of finding a safe harbor for their writing futures.
The storm isn’t coming…it’s here NOW.
Here’s a couple posts from FUTUReBOOK that take a two-sided look at the state of the industry as it stands today:
In tomorrow’s inauguration of Wednesday’s e-Watch, I’ll recap some of the monumental events in e-publishing that have taken place in recent weeks.
And one last note:
The thing I love about blogging, both reading and writing, is the sharing of information. My research in e-publishing at this point has barely begun, and I’m sure some of you out there who’ve been at it a little longer have your own awesome resources.
PLEASE – for all of us struggling writers - SHARE them. Help us stay informed. Let me know about your favorite blogs and websites that cover e-pub happenings and I’ll be happy to pass the info along to my readers.
The only way any of us will ever be published, whether it’s self or traditional, is by educating ourselves and forging ahead with our eyes wide open.
Here we are, nearing the end of the fourth month of 2011…
I can’t believe the year is already a third over. Time flies when one is buried in both work and writing.
For those of you who occasionally check my blog, I apologize for my long absence and appreciate your loyalty.
The last several months have been a wake-up call for me. It all started at the San Francisco Writers Conference in February, where the predominate message on how to get published was nearly 180-degrees from that of last year’s conference.
In 2010, the traditional route to becoming a published writer (i.e. via agent, publisher, etc.) was still being promoted at the conference as the smart and secure way to go. Those who were venturing into self-publishing were viewed with shaking heads and whispers of doom. But at the same time, some folks were watching the risk takers–and taking notes.
Several major events in 2010 and early 2011 indicated the wind was beginning to shift in the other direction.
The number of e-book purchases sailed past hard copy numbers in several categories, firing a warning shot across the publishing bow that the whole world felt. The bankruptcy of Borders was a direct hit, the first of many salvos that are continuing to rock the publishing industry.
The February 2011 Conference was aflame with the recent Borders news, yet highly optimistic about the changing publishing climate. And sessions on self-publishing, or indie publishing as it’s now being called, had an equal presence with those following the traditional, or legacy model.
In March, a new storm hit the publishing world as established author Barry Eisler walked away from signing a two-book, $500,000 contract with St. Martins Press to publish the books himself. And a week later, self-publishing darling Amanda Hocking signed a four-book $2,000,000 contract with the same St. Martins Press.
Needless to say, these two events left many folks scratching their heads.
But when it comes down to the dollars, both decisions make perfect sense. Barry retains control over his story and his release schedule (it can take up to two years for a book to hit the stores after signing with a publisher). What’s more important, and the deciding factor in his decision, is that he can earn more in the long term by publishing the books himself than he could using the traditional model.
Amanda Hocking, on the other hand, gained a legitimacy and recognition that is difficult for self-published writers to attain. She also now has a team behind her to take care of much of the publishing details, freeing her up to do more of what she loves–writing. To read about her decision, I encourage you to visit Amanda’s blog.
As for Amanda’s accounting, some would argue she could have made more by publishing those four books herself. But I don’t think she’s going to be hurting for money, because she still has her self-published titles that are selling well. And as print readers discover her books and visit her website, her self-pubbed works will keep selling.
Ultimately, these two authors did what they felt was in their best interests, and no one should question their decisions.
But we can watch the results of those decisions unfold, and learn from them.
I know I am, and I know which direction I’m heading.
I realize the self-pub route is difficult and requires a lot of work. But so does the traditional, and if I go that route, I have an uphill battle (see December’s ~biases in publishing).
My posts will be infrequent over the next several months as I re-position myself to publish on my own. I have a number of changes to make, both to blog and website, and a lot of preparation to get Watcher ready to hit the market by my target date.
So continue to check back once in awhile for news about the paradigm shift that is shaking up the publishing world. It’s a revolution that’s been a long time coming, and I’m excited to be a part of it.